POETRY AND REVOLUTION
In
numerous
lectures
and writings on Investigative Poetry
I've
urged poets
to
write history
The goal, as I wrote in Investigative Poetry, is "an era
of investigative
poesy wherein one can be controversial, radical, and not have the
civilization rise up to smite down the bard."
I was even so bold as to write that "poetry, to go
forward, in my view, has
to begin a voyage into the description of historical reality."
Charles Olson, of course
had pointed out how difficult
it is to be BOTH an historian
AND a poet
I've also urged in works
such as "The Z-D Generation"
that poets investigate
the state of the military
and the military state
and the plots of the right
to make things more sharing and more benign
I'm going to suggest
in this talk
that poets become revolutionaries
I don't mean
revolutionaries in
computerized hieroglyphic verse
but what I would call
Leftist
Multi-Century Activists
that's
correct: Leftists--
Socialist
Revolutionaries
or
write
poems
at
least now and then
throughout
a career
with
revolution
as
a theme
A career is a 60 year event
Why not study revolution
for a few decades
as a Scholar-Bard-Activist?
2.
At the end of my investigative poem
"Melville's Father"
(in
Hymn to the Rebel Cafe)
I wrote:
No one
no
group
lives long enough
to structure
a
system
to ease the pain
of
living.
The cycles of life
being 80 years
let's
say--
makes revolution
in
my opinion
a 500 year process
That'll be fine for America
for it often takes centuries
to
make a civilization
more
benign
3.
The Rose is
carried through
history in
many
ways
The Silent Work
of Silent Revolutionaries
also
carries the Rose
William Blake
in
the right wing oppression
after
the French revolution
Sappho
Archilochus
Dickinson
whisper in the time-track
long after tyrants and spies are dust
4.
It's true that there have been untold ghastly wheelbarrows
of leftist doggeral
foisted
into ink
but how many more ghastly wheelbarrows
of bitter, tight-lipped
crypto- and not-so-crypto
rightist drivel
have
been shoveled into print--
too often and so blatant we
don't
even recognize the genre?
In our own little era
millions of confessional poems
have been composed
billions of erotic lyrics
trillions describing
the conditions
of
the poet's
personal
plight
quadrillions
on
the interplay
of
light and leaves
Why not make
revolution a big theme
in
your work?
It can join
the philosophic ode
the confessional ode
the difficult-to-decipher dithyramb
the love lyric
the disgust lyric
the stroll poem
the room description poem
in
the Field of Bardic Content
Why not?
5.
The World of Text
We need to bring revolution
to
the textbooks
and
to education
It's not easy
for
my generation,
it
seems to me,
lost
the battle of the textbook
& just as many great poets
are
left from the textbooks
for
reasons of culture
and class
so
revolution
is
being erased from the digital dream
If it's true that "form is nothing more than
an extention of content,"
then the poetry of revolution
must have its form
in
the weave of eternity,
& that revolution, as a genre,
has a
rightful place in poem and text
6.
It's true
that poetry
is vastly more complex
than the usual slogans of rev
but it's time
to plant the seeds
We are the
rose-growers
and
the plow-bards
of
revolution
I have written about it
in my poetry:
Every few years
1789
1848
Every few years
1871
1905
Every few years
1917 &
1968 too
the masses
have
tried
to bring a new
economic
order
to their
throes
It's inevitable
Let's say
around
2008
those who work for
the masses
make
their move
to bring about
a new economic order
based on true sharing
It's our duty
to
set the soil
to prepare the day
so that it happens
really happens this time
and lasts.
We pray that it
will be nonviolent
but call it
what it is:
Revolution.
The creation
of institutions
of freedom and classless sharing
that
last
7.
The first step, it seems to me,
and
it may take centuries
will be to create a Social Democracy
in the USA
so that Europe
can swing to
Democratic
Left of that
For in a way
the attacks from the American right
are really against the European Center.
8.
Poets are always thieves
They steal time
from
eternity's flow
for their work
In a revolution
so many things are stolen
and Silence
is hard to find
for
the work
of
verse.
It's possible,
as
everybody knows,
to
write great great poetry
that takes no risks
of
having the military-industrial bootheels
grinding
your face
It's possible, for instance,
to
be a pilot fish among painters
or
spend
all day reading
specialized
learnéd colloquy
on
internet chat lines
9.
One vat of quicksand
is knowledge of
and
shame for
the
cruelty of the human species--
left, right and center.
Kenneth Rexroth turned his back
on
American politics
and refused to vote
On Dec. 2, 1851
Napoleon's nephew
then
president of France
made himself emperor
and intellectuals
all over France
felt
revulsion
It caused Baudelaire
to vow
"to
remain
from
now on
aloof
from all
human
politics."
10.
Love of Place
It's important
to many bards
to find a home
In a poem called "Spiritual Topography"
I said
Let the
whirls of your brain
fit in with
the contours
of
the ground you love
for
when the curves
of your spirit
flow out to embrace
the curves of the land
That's
love
That's
habitat
That's
the kissing
of
landforms
with your soul.
There is this thing
called love of land
love of community
and even love of nation
Don't let them
drive
you away
from
love of your nation
even
if you're a revolutionary
Don't let them
isolate you
11.
It's the answer:
Until we have a revolution
a
geniune revolution
we will be quailing in the Time-Track
Beatniks are not going to
get
you National Health Care
A.R. Ammons
is
not going to get your National Health Care
Dana Gioia & the New Formalists
are
not going to get you
N.H.C.
The MLA is not going to get you N.HC.
The Democrats are not going to get you N.H.C.
A believable climate of Revolution is
going
to get your National Health Care
12.
One Capital B Big Problem
is the government agent
Read E.P. Thompson's The Making of the English Working
Class
for that
So, as soon as we become real creators of change
with
results felt by big corporations
government agents become a problem.
Being a revolutionary, if the right prevails
will prevent tenure
will prevent appointments
to
illustrious commissions
on
the interface of
computer
stores and verse
The right
for fifteen years or so
has
had a motto,
"Defund
the Left,"
so I say it's time
for
"Defund the Right!"
13.
And you can't rely
on streams of electrons and
light beams
to
make your life less painful
I used to think there
would be an Electronic Achaea
and that a group of
poets
with
a vision of sharing
could send out their words
on
that worldwide Electronic Achaea
but now I know that
the
right will choke
Achaea
and prevent its bardic use
for
revolution
The Internet is not the revolution
E-mail is not the revolution
Point and click is not the revolution
The click of centuries is revolution
14.
Gradualism
Untold millions think
that gradualism will
twist
the species dot by dot into a paradise.
People fear that urging revolution
can make something
horrible
and concentration campish happen.
They say that revolution
gives
men a chance to slaughter
Doing nothing
Letting the mills
of
laissez-faire capitalism grind their gore
will
bring more pain and slaughter
than
revolution ever will
Horrible happens.
That's it. More horrible will happen
in quietism and gradualism
than
ever will occur
in
a multi-century urge of revolution
15.
The Unpleasantness of Rev
One big complaint
is
that psychopaths
and
spiritual parasites
bury
their problems
in
mass movements
and devour a revolution
within.
It's a great pain
for
instance
to be "trapped" in an action cell
with shiny eyed crazy people.
Right wing mockery
is rising again
to
spittle a bard
and one problem
with
a speed-driven culture
is
that a proposal more than
fifteen
years old
is
the proposal of a fogey
16.
In eras long gone,
such
as late-19th century Russia,
writers
could be demonized
for
not being "useful" enough
not
enough on the line
for
social change
& for not overtly opposing
the
demons of the
police
state.
A writer is never right enough
for the right
nor left enough for the left
17.
Mapping
A good map
is Revolution's best friend
and of course
a
map can have
the
dimension of time
A career in verse
is best served by a sixty-year map
My generation
lost courage
at the barricades
We didn't
create institutions
while we
forged what
we thought was Newness
Revolution
does not have to bring chaos
Some bards
need an orderly zen zone
in which to write
So the work of revolution
I am proposing
will
have zen zones
and
forgiveness
We'll admit mistakes
and
laugh about it
We'll not be
overly
vindictive
Nor hound our opponents
(except
for "Defund the Right")
We'll be Scholar-Bard-Activists
We'll USE our research,
not
allow
it
to
be
mired
in
what Carlyle called
the
dry-as-dusts
18.
City and Country
Just as the salvation of the country and wild places
is inextricably tied
to
the salvation of the city
so revolution
is
inextricably
tied
to the creation of
a
world of peace
and we have to let some things alone
and resist the temptation to
micro-manage Utopia--
What is content?
I have written, in Investigative Poetry,
that "the content of history will be poetry."
I still believe that.
I also believe
that the search for Ways that remain as Ways
is
the Way
The pulses of form and content
are pulses
of
eternity
& the drive for freedom, having a say,
and the sharing of wealth
are woven
into
those same pulses.
You can deny the numinal
You can deny the rational
But America, Europe, Russia, China
and all the lands
on
this globe and in space
will not
be able to deny
the
pulse of revolution
because it is always there.
--Edward
Sanders
Written for the Symposium
On Content at the Poetry Project
St. Mark's Church, NYC
May
2, 1996
Copyright © 1996 by Edward Sanders